攻玉集前　言關(guān)于提高外國(guó)文學(xué)史編寫(xiě)質(zhì)量的幾個(gè)問(wèn)題莎士比亞的詩(shī)作莎士比亞如是說(shuō)十九世紀(jì)以前西方莎評(píng)二十世紀(jì)莎評(píng)百尺竿頭，十方世界彌爾頓《失樂(lè)園》中的加帆車(chē)菲爾丁論小說(shuō)和小說(shuō)家斯末萊特和他的《藍(lán)登傳》新批評(píng)派的啟示艾略特與文藝批評(píng)從艾略特的一首詩(shī)看現(xiàn)代資產(chǎn)階級(jí)文學(xué)鏡子和七巧板序 比較文學(xué)：界限、“中國(guó)學(xué)派”、危機(jī)和前途國(guó)際比較文學(xué)研究的動(dòng)向鏡子和七巧板：當(dāng)前中西文學(xué)批評(píng)觀念的主要差異歷史敘述中的虛構(gòu)維吉爾和中國(guó)詩(shī)歌傳統(tǒng)預(yù)言式的夢(mèng)在《埃涅阿斯紀(jì)》與《紅樓夢(mèng)》中的作用《李爾王》變形記《十七世紀(jì)英國(guó)文學(xué)》書(shū)后莎作內(nèi)外中西悼亡詩(shī)巴羅克的涵義、表現(xiàn)和應(yīng)用 the mirror and the jigsawpreface virgil and chinese poetic tradition king lear metamorphosedspeculation on a possible source of shakespeare’s dramatic　anomaliesmilton’s“canie waggons light”: a note on cross-cultural　impactdao-wang shi (悼亡詩(shī)), or poetry lamenting the deceased　wife the mirror and the jigsaw: a major difference between current　chinese and western critical attitudesfictionality in historical narrative—different interpretationsdisjecta membra: supplementary remarkschinese theory of literary classificationeurocentrism