目  錄Table of Contents序言：西方的直接電影與中國的紀實主義.......................................王遲（1）Preface：Western Direct Cinema and Chinese Jishiism上  編Part One理論視野：反思直接電影Theoretical Perspectives：Rethinking Direct Cinema“這種主客觀之爭全都是胡扯”——關于直接電影的另一種修辭.....................................Brian Winston（3）“T his ObjectiveSubjective Stuff Is a Lot of Bullshit”：An Alternative Rhetoric of Direct Cinema直接電影之外——安東尼奧與 70 年代新紀錄片...............................Thomas Waugh（13）Beyond Verite：Emile de Antonio and the New Documentary of the Seventies紀錄片、現實主義和女性電影 ....................................... Eileen McGarry（34）Documentary, Realism and Women’s Cinema 直接電影中作為一種風格的現實主義——對影片《黨內初選》的批判性考察 ............................Jeanne Hall（49）Realism as a Style in Cinema Verite：A Critical Analysis of Primary紀實不是真實..............................................................................鐘大年（80）Jishiism Is Not the Truth素材的含義與直接電影霸權............................................................王遲（92）The Meaning of Film Material and the Hegemony of Direct Cinema關于非虛構的真實 .........................................................Michael Renov（106）The Truth About NonFiction現實主義、哲學和紀錄片..................................................... Ian Aitken（120）Realism, Philosophy and the Documentary Film下  編 Part Two 個案研究：弗雷德里克·懷斯曼Case Studies：Frederick Wiseman懷斯曼的紀錄片——理論與結構 ............................................................. Bill Nichols（141）Frederick Wiseman’s Documentaries：Theory and Structure持攝影機的懷斯曼 .........................................................Barry K. Grant（167）The Man with a Movie Camera懷斯曼 IDFA 談自己 50 年的創作方法 ...............................Damon Wise （209）Wiseman’s Talking about His Fifty Years Filmmaking Methods at IDFA尼克·弗特采訪懷斯曼——《動物園》、影片創作和社會變革.............................. Nick Forte （214）Ni ck Forte’s Interview with Wiseman：Discusses Zoo, Filmmaking and Social Change羅伊·列文采訪懷斯曼 .................................................... G. Roy Levin（217）G. Roy Levin’s Interview with Wiseman“謎中謎之謎”——懷斯曼與公共電視 ...............................................Brian Winston（234）“A Riddle Wrapped in a Mystery Inside an Enigma”：Wiseman and Public Television論“懷斯曼神話”——對中國 90 年代紀錄片史的重識 .........................................王遲（260）On “Wiseman Myth”：A Restoration of the Nineties Chinese Documentary History